Haus-Rucker-Co

Haus-Rucker-Co

Group – Vienna, Austria
1967 – 1992
www.ortner.at/haus-rucker-co/de/haus-rucker.html

Haus-Rucker-Co were a Viennese group founded in 1967 by LauridsOrtner, GüntherZamp Kelp and Klaus Pinter, later joined by Manfred Ortner. Their work explored the performative potential of architecture through installations and happenings using pneumatic structures or prosthetic devices that altered perceptions of space. Such concerns fit with the utopian architectural experiments of the 1960s by groups such as Superstudio, Archizoom, Ant Farm and Coop Himmelblau. Alongside these groups, Haus-Rucker-Co were exploring on the one hand, the potential of architecture as a form of critique, and on the other the possibility of creating designs for technically mediated experimental environments and utopian cities.

Taking their cue from the Situationist’s ideas of play as a means of engaging citizens, Haus-Rucker-Co created performances where viewers became participants and could influence their own environments, becoming more than just passive onlookers. These installations were usually made from pneumatic structures such as Oase No. 7 (1972), which was created for Documenta 5 in Kassel, Germany. An inflatable structure emerged from the façade of an existing building creating a space for relaxation and play, of which contemporary echoes can be found in the ‘urban reserves’ of Santiago Cirugeda. The different versions of the Mind Expander series (1967-69), consisted of various helmets that could alter the perceptions of those wearing them, for example the ‘Fly Head’ disoriented the sight and hearing of the wearer to create an entirely new apprehension of reality; it also produced one of their most memorable images.

Haus-Rucker-Co’s installations served as a critique of the confined spaces of bourgeois life creating temporary, disposable architecture, whilst their prosthetic devices were designed to enhance sensory experience and highlight the taken-for-granted nature of our senses, seen also in the contemporaneous work of the Brazilian artist Lygia Clark. Contemporary versions of such work can be found in the pneumatic structures favoured by Raumlabor and Exyzt.

References About

Rodrigo Alonso, ‘Expanded space’, Art and Technology, http://www.roalonso.net/en/arte_y_tec/espacio_expandido.php [accessed 14 July 2010].
Marc Dessauce (ed.), The Inflatable Moment: Pneumatics and Protest in ’68 (New York: Princeton Architectural Press, 1999).
Thomas Edelmann, ‘A Capsule is not Enough’, Stylepark, http://www.stylepark.com/en/news/a-capsule-is-not-enough/307575 [accessed 14 July 2010].
Chris Salter and Peter Sellars, ‘Performative Architectures’, in Entangled: Technology and the Transformation of Performance (Cambridge, MA: MIT Press, 2010).

Connections

Created with Raphaël
Coop Himmelblau
Santiago Cirugeda
Constant Nieuwenhuys
1960s Utopian Groups
LaboratorioUrbano
Hackitectura
Cedric Price
Raumlabor
Stalker/OsservatorioNomade
Atelier Bow-Wow
Artists and Spatial Practice
Haus-Rucker-Co
Urban Catalyst
Patrick Bouchain
Exyzt
Yona Friedman
Buckminster Fuller

Related Organisations

 

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Laurids, Zamp and Pinter with Environment Transformern (Flyhead, Viewatomizer and Drizzler) 1968. Photo: Gert Winkler.

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Oase No. 7, Fridericianum, documenta 5, Kassel 1972. Photo: Hein Engelskirchen.

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Oase No. 7, Fridericianum, documenta 5, Kassel 1972. Photo: Hein Engelskirchen.

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